SATIRE AS CRITIQUE OF CONTEMPORARY VALUES: READING SPATIO-TEMPORALITY IN SELECT LYRICS OF THE BENGALI MUSIC BAND CHANDRABINDU
Abstract: Satire in literature, from the time of its origin in ancient Greece, has played an important role as an upholder of human and...
Read MoreA STUDY OF CODE-MIXING AND CODE-SWITCHING IN MULK RAJ ANAND’S COOLIE
Abstract: Code-Mixing (CM) and Code-Switching (CS) is a common feature of bilingualism. It is omnipresent in every human society and...
Read MoreA CRITICAL APPRECIATION OF ‘MULTIPLE INTELLIGENCES’: JUSTIFYING ITS APPLICABILITY IN THE TEACHING-LEARNING SYSTEM
Abstract: Generally speaking, ‘intelligence’ refers to one’s ability to learn about, learn from, understand, and interact with one’s...
Read MoreEXPERIENCE OF EAST BENGALI REFUGEES ON PARTITION: UNFOLDING LIMINALITY THROUGH NARRATIVES
Abstract: The term ‘liminality’– derived from the Latin word Līmen meaning a threshold, introduced by Arnold Van Gennep in the...
Read MoreWOMEN BASED PROGRAMS IN PUBLIC, PRIVATE AND COMMUNITY RADIO STATIONS AS A TOOL FOR WOMEN’S DEVELOPMENT: A STUDY IN CHENNAI, INDIA
Abstract: In India, public, private and community radio stations air several radio programs for development. It is essential that in a...
Read MoreNAMAVALI SHAWL IN INDIAN PAINTINGS: TRAVERSING TILL THE TWENTIETH CENTURY
Abstract: Paintings and sculptures, especially the early ones, showcasing daily life, are useful to study for learning about society and...
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